Rene Botello had the opportunity to talk to Woody Weatherman from Corrosion of Conformity! Check out the interview below!
Be sure to get out and see them live!
Corrosion of Conformity will also be performing at the Inkcarceration Festival July 15th! For information about Inkcarceration follow the links below!
Following their recent European journey, CORROSION OF CONFORMITY will return to North American stages to kick off the second leg of their tour supporting Black Label Society. Slated to begin July 15th, the tour will make its way through nearly two dozen cities upon its conclusion on August 11th. Additional support will again be provided by Eyehategod. CORROSION OF CONFORMITY will close their summer live takeover with a performance at Loud And Heavy Fest in Fort Worth Texas sharing the stages with the likes of Cody Jinks and Whiskey Myers! In October, the band will take on an eight-date UK headlining tour with Orange Goblin, Fireball Ministry, and Black Moth. See all confirmed dates below.
CORROSION OF CONFORMITY continues to tour in support of their critically lauded No Cross No Crown full-length, released in January 12th via Nuclear Blast Entertainment. Captured in North Carolina with longtime producer John Custer, the record marks the first studio recording with vocalist/guitarist Pepper Keenan in over a decade and, earning the #67 spot on the Billboard Top 200 Chart, #12 on the Billboard Top Current Albums Chart, and #3 on the Top Hard Music Albums Chart upon its first week of release, is the highest charting album of the band’s career!
No Cross No Crown is available on CD, digital, vinyl, and cassette formats. Various order bundles are available at nuclearblast.com/coc-nocrossnocrown.
CORROSION OF CONFORMITY w/ Black Label Society, Eyehategod:
7/14/2018 Cadott Rock Fest – Cadott, WI
7/15/2018 Inkcarceration Music Festival – Mansfield, OH
7/16/2018 Monarch Music Hall – Peoria, IA *
7/17/2018 The Forge – Joliet, IL *
7/18/2018 20 Monroe Live – Grand Rapids, MI
7/20/2018 Bourbon Theatre – Lincoln, NE
7/21/2018 Diamond Ballroom – Oklahoma City, OK
7/22/2018 Cotillion Ballroom – Wichita, KS
7/23/2018 The District – Sioux Falls, SD
7/25/2018 The Clyde Theatre – Wayne, IN
7/27/2018 Si Hall At The Fairgrounds – Syracuse, NY
7/28/2018 Impact Music Festival – Bangor, ME
7/29/2018 The Webster – Hartford, CT*
7/30/2018 The Queen – Wilmington, DE
8/01/2018 The Mill & Mine – Knoxville, TN
8/02/2018 The Fillmore Charlotte – Charlotte, NC
8/03/2018 Phase 2 – Lynchburg, VA
8/05/2018 The Norva – Norfolk, VA
8/07/2018 Rebel – Toronto, ON
8/08/2018 Metlus – Montreal, QC
8/09/2018 Sherman Theater – Stroudsburg, PA
8/10/2018 Paramount – Huntington, NY
8/11/2018 Starland Ballroom – Sayreville, NJ
* No Eyehategod
“The record is filled with the kind of Sabbath meets Black Flag meets Lynyrd Skynyrd jams that were so infectious and wildly influential back when Bill Clinton seduced interns…COC doesn’t try to change direction but instead revisits the approach that made the Keenan-fronted version so successful: powerful hooks, instrumental asides that will remind you of Sabbath’s ‘Planet Caravan’ and a rich use of textures and dynamics…” — Decibel
“…burly, surly and southern-fried — basically, everything fans could hope for.” — Revolver
“… these motherfuckers have been at it forever, and they’ve just made their best album in twenty years.” — Team Rock
“…a release that proves that the gentlemen are back on their game and ready to rumble.” — Blabbermoutth
“…powerful and unstoppable as an avalanche.” — Kerrang!
“…so good it should really be toured in full, played from top to bottom as a complete movement of music.” — PureGrainAudio
“…undoubtedly one of finest releases in CORROSION OF CONFORMITY‘s storied career.” — Pop Matters
“…where 35-plus years from getting started, most artists still active have long since slid into a mediocrity of form in playing to what’s expected of them, COC here sound reinvigorated and offer a reminder to all willing to hear it of a big part of what made them who they are in the first place.” — The Obelisk
“… a rare example of a classic line-up coming back to make music and killing it in the process.” — Sputnik Music
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