2018 is proving to be the break out year for LA based Electronic Duo NIGHT CLUB! Following their extremely successful US and European tour run with COMBICHRIST and WEDNESDAY 13, as well as the critical success of their sophomore album, Scary World, NIGHT CLUB will be joining legendary super group A PERFECT CIRCLE on their Fall 2018 tour with TRICKY! Launching October 20th in West Valley City, UT, the tour will wind throughout the United States, finishing up November 20th in Phoenix, AZ.

Tour Dates
10/20 @Maverik Center– West Valley City, UT
10/22 @ Red Rocks Ampitheater – Morrison, CO
10/24 @ Austin360 Ampitheater – Austin, TX
10/29 @ Fox Theatre – Atlanta, GA
10/30 @ CFE Arena – Orlando, FL
11/01 @ Bojangles Coliseum – Charlotte, NC
11/02 @ Bridgestone Arena – Nashville, TN
11/03 @ Rupp Arena – Lexington, KY
11/06 @ Hulu Theater at Madison Square Garden – New York City, NY
11/07 @ UMBC Events Center – Balimore, MD
11/09 @ The Masonic Temple – Detroit, MI
11/10 @ Alliant Energy Center– Veterans Memorial Coliseum – Madison, WI
11/11 @ Armory – Minneapolis, MN
11/13 @ US Cellular Center – Cedar Rapids, IA
11/14 @ Hartman Arena – Wichita, KS
11/17 @ The Theatre at The Honda Center – Anaheim, CA
11/18 @ The Cosmopolitan of Las Vegas – The Chelsea – Las Vegas, NV
11/20 @ Comerica Theatre – Phoenix, AZ

“Equal parts cute, creepy, and catchy – ‘Candy Coated Suicide’ by Night Club is a mesmerizing work of art. With a heavy but bouncing beat, playful synths, and a hypnotizing vocal performance, Night Club’s new song is as fun as it is habit forming. Candy Coated Suicide plays like a love letter from Harley Quinn: Cute, bubbly, and earnest – but ultimately deadly and a little deranged; in the most beautiful way possible.” – Stereo Stickman

Track List:
1. Beware!
2. Scary World
3. Schizophrenic
4. Your Addiction
5. Blood on Your Blade
6. Candy Coated Suicide
7. Therapy (Get High)
8. Imaginary Friend
9. Vampires
10.Survive

Click HERE to Download ‘Scary World’ on iTunes!

Advance Praise for Scary World

“This might be one of the most radio friendly synth pop acts in recent history. There is nothing gritty, occult or dark about Night Club. With their sound firmly rooted in the electronic eighties, Night Club revives a style in a highly convincing way. This is actually suited for large audiences, for pop festivals and for goth clubs alike. This stuff put a smile on my face and I’m sure it is potent enough to do that with audiences everywhere. So yeah, I will recommend this album to all you eighties-freaks out there. You know who you are…” – Merchants Of Air

“I already told you, I simply love this album. Compared to their first record, the band’s artistical path is much clearer without losing variety. Night Club has an unmistakable style which they continually evolve. If that’s your cup of tea, you’re absolutely right here at the Mad Hatters Tea Time! And now: run for Scary World!” – Electrozombies

“Night Club’s production value is incredibly professional, masterfully compressed drums and seamlessly arpeggiated basslines building a strong and driving foundation for the music. Emphasizing electro synth wails and sirens accentuate energy and drive when necessary, but are used sparingly enough that they deliver a strong enough punch each time that it never gets old. Their vocalist’s gentle and almost tantalizing voice offers a beautiful contrast to the instrumentals, offering chiming innocence during moments of tension, and an extra dose of adrenaline when the synths take a back seat.” – Horror Addicts

“And what’s the conclusion? ‘Requiem for Romance’ was good, ‘Scary World’ is scarier and better. Way to go Mr Brooks, and welcome back Miss Kavanaugh. Again, you haven’t disappointed.” – Electricity Club

“This record is definitely going to be put on repeat by me when it’s released on Friday. Dark, brutal and hard to forget, Night Club live with this record are going to be amazing – I would want this band opening my tour too. Highlights for me on this album include, ‘Scary World’, ‘Blood On Your Blade’ and ‘Vampires’ which is a treat near the end of the album and an easy favourite for me.” – Thinking Lyrically